Tamil stories love movie#

That said, Balaji, I accept your choice of 'Kaadhal' in this top 5 selection, but respectfully disagree, as 'Kaadhal' is just too ordinary overall (even though it is vividly subtle and deserves praise only for that quality). None of these films are flawless (while each of us can claim otherwise!), they fulfill our respective requirements/wishes for good romantic cinema. while I can surely see a 'Rhythm,' 'Raaja Paarvai' or even an 'Alaipaaythey' (I guess there's no hiding that I am an ardent Mani fan! :-) being part of any list. I've never been convinced that Kaadhal was superlative to be part of any top 5, 10, or 15 list. If anything, both Bharat and Sandhya have learned the 'best' in basics about acting (emotional and physical) and the film really built a solid foundation for them and Balaji Shaktivel. I have never felt that it was extraordinary or superlative in anything that it delved with, except winning out substantially in the 'subtlety' department. I still feel that 'Kaadhal' was a very ordinary film at best. but I don't buy that any of the emotions displayed in this film (or the way they have been filmed!) are terribly unique or original.

I think Kaadhal can be revered for being subtle. Please tell me raja paarvai is # 1 or # 2 :-D coz i absolutely love the story of raghu and nancy (kamal and madhavi, for those thamizh cinema illiterates!) Thinking in retrospect, it is amazing how вЂњKadhalвЂќ works just as well as a cautionary tale. This whole sequence is so well-written and shot with such restraint and dignity that the film manages to shed light on the unsavory details of real life that are conveniently forgotten in Tamil CinemaвЂ™s usual attempts to either trivialize or romanticize the lives of youngsters. Later the three of them are walking the streets of Chennai in the scorching heat, looking for a place to live, when the girl complains that she cannot endure it anymore because she is getting her period. There is a simple but telling sequence that deserves special mention - the lovers having escaped to Chennai wait for their friend in a dirty corner of a desolate road- the rank smell bugs the little girl. If the adolescent love story in the first half captivates us with its sweetness, the bitter realities of the second half haunt us with their sharpness.

Tamil stories love movie#

Its only in the climax that the movie abandons its realism and what sounds like a very powerful climax on paper sees its impact diluted somewhat on screen(a big reason for this is Sandhya's overacting).ДЄmong the romances in Tamil cinema, Kaadhal stands out as one of the most realistic ever.ДЄ para from my review that echoes your sentiments abt the movie: As I mentioned earlier, the down-to-earth nature of this movie is one of its biggest assets. The problems they face(and the solutions they come up with) are as real as they can be and movie serves as a realistic epilogue for all those movies that portray eloping as the solution for lovers in trouble (even the troubles faced by Madhavan and Shalini post-eloping in Alaipaayuthey seem cinematic after seeing Kaadhal!). When it comes to movies, sadness always has a greater impact than happiness and so Kaadhal is at its most powerful when it throws the young couple into difficulties. We share their happiness when they are with each other, their sorrow as they struggle in the city and their dread as Sandhya's family catches up with them. Bharath and Sandhya are two fascinating characters in the middle of this and so its no surprise that we become involved with their lives. More real than a reality showand more candid than a Candid Camera episode, it feels like the movie is a result of the camera rolling as ordinary people go about their everyday lives. Watching Kaadhal is like watching the goings-on in our neighborhood.

Presenting all facets of love without sugarcoating any of it, the film is a unique experience in the genre of romantic movies. In this environment of cinematic romances and artificial feelings, the romance in Kaadhal is a real eye-opener. Tamil cinema romances - even the ones that end in tragedy - are usually lighthearted, candyfloss romances with emphasis on cuteness rather than realism.